1960’ların başında Çekoslovakya’da ortaya çıkan Yeni Dalga, klasik anlatı sinemasını reddeden, gündelik yaşamı, doğaçlamayı ve bireysel deneyimleri merkeze alan eleştirel bir sinema dili geliştirmiştir. Věra Chytilová, bu akım içinde deneysel
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